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Blow Up keeps photos crystal clear during enlargement. Especially in
large prints hung on a wall, the difference between Blow Up and
Photoshop is astounding. Version 3 makes pictures even sharper without
computer artifacts. If you understand Photoshop�s resize command
then you already know how to use Blow Up. Our large library of
standard paper sizes makes it even easier. With Lightroom and CMYK
support, Blow Up fits into a professional workflow.
In Blow Up 3 we found ways to make edges even sharper without
introducing computery artifacts. The images below show the difference
between Blow Up 3 and traditional bicubic enlargement used by
Photoshop and other image editors.
Blow Up 3 has tight Lightroom integration that supports batch
processing and does not require Photoshop.
Blow Up�s interface is deceptively simple. Just set your paper
size as you would in Photoshop and optionally set a crop region. In
version 3 we kept all the rocket science under the hood.
Blow Up 3 runs faster on both Macintosh and Windows computers.
You can resize up to 300,000 pixels per side, the maximum Photoshop
can handle. Of course, Photoshop would choke on a square image that
big, but if you are making a billboard that Photoshop can handle, so
can Blow Up!
Blow Up can handle CMYK images used in offset printing and
16-bit/channel images used by professional photographers.
Blow Up has presets for common paper sizes, including photo papers
and standard US, European, and Japanese sizes.
Just choose your paper type and Blow Up sharpens the right amount to
compensate for ink diffusion.